By
Josh Jackson
on December 30, 2008 5:09 PM|Permalink
It's eerily quiet here at the Paste office with most everybody taking a vacation day today. And I just said my goodbyes to Palmer Houchins, who as of Friday will be our first full-time Paste employee living in New York (Williamsburg, to be exact—hipsters, be nice to him). So I thought I'd just give you a round-up of cultural tidbits that our web team is too busy merry-making to otherwise tell you about...
By
Robert Davis
on December 19, 2008 9:00 AM|Permalink
Release Date: Dec. 19 Director: Darren Aronofsky Writer: Robert Siegel Cinematographer: Maryse Alberti Starring: Mickey Rourke, Marisa Tomei, Evan Rachel Wood, Todd Barry Studio/Run Time: Fox Searchlight, 105 mins.
Powerful film gives viewers something to grapple with
American filmmakers may have rediscovered emotional realism, but no conversion is more surprising than Darren Aronofsky’s. His unadorned portrait of a pro-wrestling has-been is built around a fantastic, physical performance by Mickey Rourke, captured with a documentary style that renders his dingy world all the more strange, funny and heartbreaking. In his own words, he’s “a broken-down piece of meat,” and Rourke, back from actor purgatory, brings ample baggage to the role—including his bulked-up, modified body, his sandpapered larynx and his craving for an unlikely comeback. Randy “The Ram” Robinson can’t keep doing pile drivers forever, especially as the game evolves into something even more brutal, but what else is there? He’s distant from his daughter, but he has a flirtatious, tentative relationship with an aging stripper (Marisa Tomei) who’s facing the same injustice of the ticking clock. The movie, with its dime-store romance, breezy dialogue and telegraphed emotion, feels a bit like a grungier Rocky, but at times the understated attitude, grime and destitution are closer to Raging Bull. Watch the trailer for The Wrestler:
By
Jeffrey Bloomer
on December 12, 2008 10:43 AM|Permalink
Frank Miller recently confirmed to IGN that Sin City 2 is still very much alive, even though the long-expected sequel had stalled for so long. Originally planned for a swift production to follow the 2005 hit, the movie has repeatedly run into snags, including another major project for Miller due out later this month, The Spirit.
By
Jeremy Medina
on December 1, 2008 1:00 PM|Permalink
There's a surprisingly gargantuan Internet faction dedicated to predicting who will be up for film's most coveted prize, the Academy Award. Publications like Variety, The Hollywood Reporter, Entertainment Weekly, Los Angeles Times and New York Times all have Oscar blogs that obsessively trail the fluctuations in buzz amongst the year's top films. That's not to mention stand-alone sites like Awards Daily and In Contention, or well-known bloggers like Jeff Wells, Dave Poland and Anne Thompson. Even Roger Ebert has devoted a wealth of recent ink on the subject. But, the truth is, no matter how much someone knows, it's still just a wild guessing game.
By
Jeremy Medina
on September 17, 2008 2:33 PM|Permalink
After the trio of prestige art films (Pi, Requiem for a Dream, The Fountain), most people thought they had Darren Aronofsky pegged. Then this year he decided to make a film called The Wrestler, and cast seemingly washed-up actor Mickey Rourke in the title role. The film earned rave reviews at last week's Toronto International Film Festival, and won the top award at the Venice Film Festival. But turns out that was just the beginning of the surprises Aronofosky has in store for us. According to reports, Aronofsky has finished up his script for an original version of Robocop. As in, thisRobocop, a 1987 movie whose tagline was: "Part man. Part machine. All cop. The future of law enforcement."
By
Robert Davis
on September 16, 2008 5:06 PM|Permalink
The Toronto International Film Festival, which wrapped up its 10-day run this past weekend, is arguably the most important film festival in North America. But to the average moviegoer it's not as well known as Sundance, in part because TIFF samples the most promising new film from around the world while Sundance emphasizes home-grown movies, for better or worse. But TIFF showcases its share of English-language films, too -- often with star-studded red-carpet premieres -- and this year some of the festival's best movies were among them:
Rachel Getting Married
I'll have to admit that the new film from Jonathan Demme (Silence of the Lambs) wasn't on my must-see list. He's a respected filmmaker, but his latest film, the story of a woman getting married, gathering with her extended family, and clashing with her sister, sounded a little too much like Noah Baumbach's Margot at the Wedding. But I stepped into the screening on a lark and was stunned not only by Demme's patient and unadorned approach but also by Anne Hathaway's razor sharp, painful, quivering performance as the bride's sister. Demme injects melodrama into the story at regular intervals, but he observes the results like a documentarian huddling in the corner with a small, handheld camera. The rehearsal dinner plays out in near real time, complete with speeches from moms, dads, cousins, crazy uncles, and poetic troublemakers, and the gathering feels so honest that I was cringing along with the guests when the sweet, emotional moment threatened to collapse, and I felt their sigh of relief when it mostly didn't. The rehearsal dinner is one set piece; the other is the wedding itself, a jubilant, eclectic affair in which Robyn Hitchcock and Fab 5 Freddy show up to perform. In between those tent poles is a harrowing roller-coaster that may vaguely resemble the films of Noah Baumbach but has significantly more heart and soul.
By
Jeffrey Bloomer
on September 11, 2008 7:18 AM|Permalink
It only had its premiere a few weeks ago, but Darren Aronofsky’s The Wrestlerhas already become one of the hottest properties to emerge from the fall-festival circuit. The story of a once-famed wrestler (Mickey Rourke) who reemerges after 20 years to reclaim his folk heroism doesn’t exactly sound like a rare commodity, but the movie took the top prize at Venice last weekend and has been touted as a major comeback for Rourke and Aronofsky, who could both use one.
By
Jeremy Medina
on September 3, 2008 7:00 AM|Permalink
photo by Danny Clinch
While Requiem for a Dream director Darren Aronofsky preps for the premiere of his latest opus The Wrestler at the Venice Film Festival this Friday, news has emerged that none other than Bruce Springsteen will contribute an original song to the Mickey Rourke-starring vehicle.
Paste publisher Nick Purdy and podcast host Kevin Keller feature some of their favorite new (and not so new) songs for the season.
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