Shrimp Salad Haiku: A Q&A with Murder By Death
Photo by Greg WhitakerI remember playing a gig with Murder by Death somewhere in rural Indiana. It was a small, daylong festival in a barn that stood between corn and soybean fields, with a mixture of twenty-something hipsters and families in attendance. Little kids ran around screaming, half of them playing corn hole, and the other half willfully disrupting the games of corn hole. The offspring of my posse, a band called Gentleman Caller, were decidedly in the faction of disrupters.
There was no food anywhere and I chain-smoked to curb my hunger. Most of us had a hard time finding the place. When I pressed Kenny Childers, Gentleman Caller’s lead singer, for details about the day, he recalled that “we got lost and almost ran out of gas in the middle of some dark cornfield.” It was the kind of gig that burns a little brighter in the memory banks than the standard bar show. But I’m guessing it was a fairly typical day in the life of the relentlessly touring Murder by Death. This band has played everywhere.
Expect, as it turns out, my memory was wrong: Murder by Death were not on the bill that day. “Did some research,” wrote Kenny, a couple of days later, “it was harder than finding Christian porn.” It was a different band. But for some reason, my memory of Murder by Death in that Indiana barn has only grown more vivid after repeated listens to their latest release, Big Dark Love. The record beautifully juxtaposes groovy synth pop with gothic country music, and I can see them there, both completely at home and a little out of place amongst the children of the corn, filling the barn and surrounding expanse of farmland with lush Midwestern sadness.
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