Cole Bennett Wants to Create a Cinematic Universe For Music
The hip-hop multimedia titan explains how Lyrical Lemonade evolved from a blog to a brand while keeping the visual element of music alive.
Photo by George Hammond
Hip-hop is Cole Bennett’s first love. Having grown up in Plano, Illinois, he often found himself immersed in the Chicago rap scene. The bars of Vic Mensa, King Louie and Ridgio soundtracked his day-to-day and, since launching his Lyrical Lemonade blog in 2013—on which he wrote about Chicago artists and shared videos he directed for them—the name has since become one of the most powerful brands in the culture. Each Lyrical Lemonade video boasts a cinematic je ne sais quoi, maintaining a storytelling element that seems to be a lost art form in the streaming and content era. With over 400 Lyrical Lemonade videos, 21 million subscribers and more than 10 billion views to his credit, Bennett continues to push the element by packaging timeless music with creative visuals. “The marriage of the music video and a song are very much still intact,” he tells me. “And there’s no divorce coming anytime soon.”
Last week, Bennett released the debut Lyrical Lemonade compilation album, All Is Yellow. The LP features heavy-hitting collaborations with Lil Yachty, Jack Harlow, Emimen, Latto, Kid Cudi and more. Fans who have been following Lyrical Lemonade since the brand’s beginning know that a Lyrical Lemonade video is unpredictable. But with All Is Yellow, Bennett sought to create both a sonic and aesthetic universe.
All 14 songs on All Is Yellow will have a music video, with seven of the clips already having been released. In all of the videos, the artists don black suits with yellow ties and frequently emerge from yellow curtains. As the artists all rep different territories, Bennett wanted these yellow elements to unify the world of All Is Yellow. “I was going to build a standing set, probably in LA. I figured that’s where most of the people would be,” says Bennett. “I thought of dressing the set just a little bit differently for every video, but every video would take place in this one spot. And then I started to realize that would work for a good chunk of the artists but I was going to probably have to go to London at some point, because Central Cee is on the album, and then it ended up being Dave that we went out there for. I’ve gotten to know Chief Keef over the last few years, and I was like, ‘he probably won’t want to leave his house, I gotta figure out a way that we could shoot at his house.’”
Fortunately, Bennett was able to make all of this happen. But one of his favorite days while working on the album took place in Atlanta, where he shot two videos with Lil Yachty in one day—the scorching Chief Keef collaboration “Say Ya Grace” and the forlorn “Fallout,” which also features Gus Dapperton and Joey Badass. The “Say Ya Grace” video was released on the same day as All Is Yellow, and features Yachty emerging from the curtain, dancing on a pier over a lake. Though, a portion of the video had surfaced before the release, without any sort of context. While not being credited can be infuriating, it was through this that Bennett saw a sign that his concept had worked.