Why Jesse Hughes’ Statements on the Bataclan Theatre Shootings Aren’t Just Wrong, but Dangerous
Photo by Victor Moriyama/Getty
None of us can possibly imagine what it’s been like in Jesse Hughes’ head since the horrible events at the Bataclan Theatre in Paris last November. Hughes is the frontman for Eagles of Death Metal, and the pain and confusion caused by 89 of his fans being slaughtered in front of him is something that no human soul should have to bear, and something that the free world hopes and prays will never be repeated. That hope is exactly why Hughes’ recent comments—which got his band dropped from the French festivals Le Cabaret Vert and Rock en Seine—are dangerously problematic, and have no place in today’s international discourse about how best to handle religious extremists.
Jesse Hughes is not a pretender—he is a dyed-in-the-wool, absolutely original rock n’ roller that only America could produce. A living, breathing contradiction, Hughes unabashedly loves guns, Trump and Jesus with the same fervor he enjoys sex with porn stars, catchy guitar riffs and hoovering mountains of weapons-grade speed into his ever-hungry nostrils. Always an eccentric, Hughes’ statements that were once merely fantastic interview fodder for bored music journalists have taken on a new light since the Paris attacks—when Jesse Hughes speaks, the world takes note. And that is precisely why his statements to conservative webzine Taki’s Magazine are so dangerous.
In the interview with former Vice-editor-turned-conservative Gavin McInnes, Hughes blames the events of November 23rd on gun control, political correctness and fears of being labeled a racist. He says the victims “surrendered themselves to death” and lays the blame for the attack “right in the lap” of “liberal mentality” before reiterating his previous claims that the security at the Bataclan was in on the attacks—claims he apologized for and called “insane” back in March, when he blamed them on PTSD. As one survivor of the attacks pointed out in a response article, Hughes was on stage and therefore in a far more advantageous position to escape than the packed audience was, and saying the victims gave up and fell “like wheat in the wind—the way you would before a god,” is wildly inappropriate and hugely disrespectful to those who lost their lives that night.
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