deGeneration X: I Found My Wife in a Colombian M!dg$t Bar

No, my wife is not a midget. And yes, the politically correct term is “little people,” but I’m simply using the vernacular of the bar that claimed to have the “largest staple of midget performers in South America.” If the M word offends you, hold on to your hemp hat because this travel experience only gets worse.
My backpacking partner Tamie and I arrived in Medellín, Colombia, in November 2009 and befriended a group of Colombians visiting from the nation’s capital, Bogotá. Among them were Colombian fashion designer Adriana Capasso and my future wife Carolina. We met at the colorful Casa Kiwi Hostel where our new friends first mentioned Mango’s.
“Do you have plans tomorrow night?” asked one of the Colombian girls to Tamie. “We’re going to this club called Mango’s.”
Overhearing the invite, I interrupted, “Count us in!” Tamie rolled her eyes but agreed to go.
Medellín is the former base of notorious drug lord Pablo Escobar, and while the narcotraffickers learned to stay under the radar, many still reside in Colombia’s second largest city. Besides the Escobar connection, Medellín is famous for its “eternal spring” weather and beautiful women, and the former plays a definite role in the latter’s clothing choices. The unofficial fashion motto appears to be less is more, and Mango’s is the place where ladies definitely wear less. The club sits outside the main commercial area, so we had to carpool in taxis, and I marveled as we arrived.
“This is the place?” I asked as we pulled up. “What the hell?”
Remember the Titty Twister in the film From Dusk Till Dawn? From the outside, Discoteca Mango’s is the friendlier, prettier, less blood-sucking version of the Twister in the style of an Old West saloon. After paying an inexpensive cover (less than $5 USD), our group entered Mango’s, and a female little person dressed in Wild West attire took us to a table. Inside, the club featured a dance floor, a bar area and a main stage, and at different points in the night, both female staff and customers would dance atop the bar. Grandiose adornments, including horse-head faucets in the bathroom and a fire pole/stripper pole on stage, gave the interior a House of Blues vibe, except less Country Bear Jamboree and more narcotrafficker playpen.
Mango’s employed a large staff of servers and performers made up primarily of beautiful female Colombians and male little people. On this particular night, the female staff dressed as sexy cowgirls and Indians, who, at the time of our arrival, were line dancing on the main stage. Meanwhile, several sharply dressed little people ran around firing off confetti cannons at the crowd. The uptempo soundtrack included danceable hits in both English and Spanish, and flat-screen televisions promoted upcoming events with themes like New Orleans Madris Gras, salsa dancing and a nuns and devils party. Customers are encouraged to dress up on theme nights, and during the Christmas holidays, female customers can dance with a little person dressed up as Baby Jesus.
“Have you tried aguardiente?” asked Carolina.
“I have not,” I replied. “What is it?”
“You will see soon enough,” said her friend Adriana, laughing. “We ordered a few bottles.”
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