Marvel’s Agents of S.H.I.E.L.D. “Making Friends and Influencing People”
(Episode 2.03)

Like a phoenix from the ashes Agents of S.H.I.E.L.D. took to the sky with tonight’s “Making Friends and Influencing People”. This episode shows how brilliant this series can be when its television elements and comic book elements blend seamlessly. In short, Agents of S.H.I.E.L.D. is very much back.
We open on Doctor Whitehall (you remember the Highlander of Hydra, right?), and a metronome. There is something inherently creepy about a quiet office and a metronome, or if I didn’t think so before, I’m pretty sure it’s locked in at a creep factor of 8 out of 10 now. Whitehall is using said metronome to set the tone as he attempts to brainwash Agent 33. This scene is a great example of everything this episode does right. It’s full of awesome tension and imagery. Agent 33 is strapped upright with her eyes forced open in classic Clockwork Orange fashion, and the psychedelic seeing-eye puzzle she’s stuck staring at strikes just the right balance between 70s comic book imagery and realistic television world building. Whitehall is pretty set on using something he refers to as the “Faustus” method to bring Agent 33 over to the Hydra side, but she stands defiant. And before we can launch into Whitehall and his sidekick’s next attempt at brainwashing, Whitehall strikes fear into my very soul. “At the beginning. Like the song says, ‘A very good place to start.’” A Hydra agent quoting The Sound of Music is a very specific kind of torture that I’m not sure 33 could have tolerated. Still, instead of going with ironic musical torment, they begin another round of the tried and true “Faustus” method.
Cut to what is going down in my book as one of the most well-executed reveals in Agents of S.H.I.E.L.D. history. Our long lost Simmons returns to the show—in non-hallucination form—with an upbeat musical montage featuring a 60 s style British pop song (It’s “God Help the Girl” by Belle and Sebastian, in case you were wondering). She seems happy and ready to take on the world as she goes about her morning routine, and reports for work at her new research job. She has a pretty typical interaction with her borderline obnoxious supervisor, but the shot that follows is where we see some real brilliance. In a camera push following obnoxious boss’s exit, our generic research lab is revealed to be… wait for it… a Hydra research lab! The giant Hydra insignia painted on the lab wall tells us pretty much everything we need to know. We’ve lost Simmons to Hydra. She’s gone. Forever condemned to the darkness. Corrupted! Why? WHY?
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