Facebook Watch’s Queen America Is a Fresh Take on Beauty Pageant Stereotypes
Photo: Jessica Miglio/Facebook Watch
When it comes to film and television (not to mention real life), pageants aren’t always painted in the best light. In Miss Congeniality, Hollywood’s essential turn-of-the-century portrait of “World Peace”-wishers and talent routines, Sandra Bullock’s Gracie Hart goes undercover in a Miss America-esque competition to try and prevent a bombing from taking place—and when the FBI agent’s tomboyish tendencies turn out to be a hindrance, she’s made over by (an admittedly charming) Michael Caine. In Drop Dead Gorgeous, another popcorn-friendly romcom from the year prior, a gaggle of small-town women—mothers and daughters both— completely lose themselves to beauty pageant hoopla, tearing at each other’s throats and relentlessly plotting takedowns. And in reality shows like TLC’s infamous Toddlers & Tiaras, young pageant competitors—and their often overbearing parents—are likened to vicious predators hunting for their next sash. Real-life competitions aren’t helping the case for beauty pageantry much, either: Though the Miss America Organization is a scholarship program for young women across the country (and implementing a progressive new set of guidelines for their main event earlier this year, including the elimination of the swimsuit competition), images like this one from 2007 still come to mind at the words “beauty queen.” Americans don’t want to take pageants seriously.
Enter Queen America, the new dramedy from Facebook’s fledgling streaming platform, Facebook Watch: It just might cast pageantry in a new light, even as it upholds some of the stereotypes about cutthroat competition associated with it. Sure, there’s still plenty of diva drama and maybe even a hissy fit or two (or 20), but in Queen America, the pageant airheads are surprisingly grounded.
Queen America marks the second time a renowned movie actress has signed on to lead a scripted series from Facebook Watch. First, it was Elizabeth Olsen in the emotionally intense Sorry for Your Loss, which debuted to favorable reviews (including from Paste) in September. Now, it’s Catherine Zeta-Jones in the leading lady’s shoes (or sky-high heels, as the case may be), playing the role of Vicki, a merciless Oklahoma pageant coach who’s known as much for her unforgiving training tactics as she is for turning pageant hopefuls, even the most helpless among them, into winners. Queen America finds her charged with a tricky case, attempting to help clumsy outsider Samantha (Belle Shouse)—who, unlike the Tulsa-based Vicki, hails from the rural heartland—become a contender.
Samantha was raised in extreme poverty in the town of Claremore, and she, like many young women in the series’ universe, sees pageants as a way out, a path to a better life. She’s intelligent and lovable, but she needs a lot of work when it comes to perfecting her pageant persona. “She’s a fun-loving, goofy underdog,” Shouse says when Paste reaches her by phone during principal production. “She’s trying to get into the pageant world and is very raw and new to it. Vicki Ellis takes her under her wing and shows her the ropes.”
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