The Surreal Nostalgia of Saturday Morning Cartoons
SEGA/Oui! Do Productions
I grew up on a steady diet of Darkwing Duck, and my son is doing the same.
I’m 31 years old, which places my formative Saturday morning cartoon years in the early- to mid-1990s. Think Doug, X-Men, Rugrats, Animaniacs, Sonic the Hedgehog, The Tick, Bonkers and the aforementioned Batman knockoff with a costumed duck. Until recently, I didn’t grasp the influences these childhood distractions had on the adult I became: I write for a living these days, mostly about pop culture, superheroes, zaniness and TV in general, and it turns out those passions surfaced a lot earlier than I realized.
After my eldest kiddo grew out of the typical toddler fare, like Mickey Mouse Clubhouse and Little Einsteins, it was time to start expanding his watch list. It was an adventure for both of us. Once I hit my pre-teens, I traded in cartoons for a steady drip of Buffy the Vampire Slayer and The X-Files, so it’d been nearly two decades since I’d seen a cartoon geared toward kids. As the father of an almost-six-year-old who likes cartoons almost as much as he does hitting a baseball (okay, let’s be honest, probably a little more), the past year has given me a chance to revisit the genre, while also sampling the animated fare of the current decade. I’ve come to realize there’s something truly timeless about getting smashed under giant sledgehammers and chowing down on cartoon chili dogs.
I snagged some bargain-bin DVDs of a few of my favorite shows from my own childhood, notably Darkwing Duck, and all three of the old Sonic the Hedgehog animated shows. (I probably have the only kindergartner who walks around humming the Sonic Underground soundtrack, but I digress.) My perception of these shows has changed quite a bit, but watching them again through the eyes of a kid? They’re as magical as ever.
All children see are superheroes, pratfalls, sight gags and bright colors. In retrospect, though, it’s clear that Saturday morning cartoons have gone through a fundamental change. Shows like Darkwing Duck and Bonkers straddled the awkward evolutionary line between old-school physical comedy (Bugs Bunny) and the modern-day subversion of genre tropes you find in pretty much everything these days. Darkwing Duck did an entire episode that was a straight-up homage to Twin Peaks, something pretty much no kid would ever pick up on. Watching that as an adult? My jaw hit the floor. Heck, even Bonkers was telling a veiled story about racism and fear of the “Other” decades before Zootopia tackled the subject. These were some of the first animated shows to take kids seriously enough to tell them stories with substance and nuance, and trust that they could follow the narrative when it got more complicated than Wile E. Coyote trying to catch the Roadrunner.
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