TV Rewind: What The Leftovers‘ Matt Jamison Taught Us About Faith
Photo Courtesy of HBO
Editor’s Note: Welcome to our TV Rewind column! The Paste writers are diving into the streaming catalogue to discuss some of our favorite classic series as well as great shows we’re watching for the first time. Come relive your TV past with us, or discover what should be your next binge watch below:
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HBO’s The Leftovers is a hard series to watch and an even more daunting one to explain. A melancholic, darkly humorous, and often difficult drama about the aftermath of a world in which two percent of the human population suddenly vanished, this was never going to be the sort of show that made for easy viewing. A series that constantly wrestles with seemingly impossible questions—Is God real? Is there a purpose to suffering? How can we keep hoping for a better future in the face of so much pain happening right now?—it often dances on the knife’s edge between sorrow and joy.
These are weighty, difficult issues of the sort that most television series never bother to even acknowledge, let alone structure their entire narrative existence around. The Leftovers is not only unafraid to embrace wildly polarizing narrative topics, but it’s also willing to admit upfront that it doesn’t know the answers to the existential questions it raises. And, for the most part, it doesn’t even seem to consider the answers that important in the grand scheme of things.
This isn’t a show that will tell you whether God exists or if humanity is damned or what, precisely, caused the precipitating event of the series. It won’t even bother to explain how of much what we, as viewers, are seeing is real: Whether Kevin Garvey (Justin Theroux) is having visions or a garden variety mental breakdown, if Nora Durst (Carrie Coon) really somehow crossed over to another world to see her Departed children again, or if Holy Wayne (Paterson Joseph) was really hugging the pain out of people back in Season 1.
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