Westworld, Dispatches from Elsewhere, and the Search for Humanity

Despite these cosmic questions (also explored in the excellent AMC series Lodge 49) Dispatches from Elsewhere is based on a real-life event, whose documentary The Institute takes a turn for the fictional and the meta. (Whereas Westworld’s is based on our potential future, I type nervously while watching my robot vacuum). So the truth is layered; in both cases there is an overarching sense that all the world’s a game, one that has been weighted against most of us from the start. To find objective truth, both of ourselves and the larger universe in which we exist, it’s about solving a puzzle—one that will, ideally, lead to an answer about humanity.

Dispatches from Elsewhere’s scope is small, and its stakes are low. There are four key members of a group who band together to engage in a strange war between the Jejune Institute and the Elsewhere Society. Who to believe, and what it all means, plays out across a sunny Philadelphia backdrop, where these ordinary people uncover clues about the game while learning more about themselves. It sounds simple or even rote, but the series thrives not only on the charm of its leads (Jason Segel, Andre Benjamin, Eve Lindley, and Sally Field) but in the fact that each of the first four episodes focuses in one a single character. And, as Richard E. Grant’s narrator / ringmaster tells us, we are meant to relate to them. “Peter is you,” he starts off the pilot saying, or “Simone is you if—“ and we go from there. In other words, there’s something about each of these characters that also resonates with us, sometimes in specific situations, other times more broadly.

There’s an element of that in Westworld too, buried deep beneath its mysteries. The connection that has been broken is between humans and robots, and yet, there are many examples where those relationships might be repaired (in this latest season, perhaps between Evan Rachel Wood’s kill-bot Dolores and Aaron Paul’s world-weary Caleb Nichols). But in general, the way forward is ideally not for one side to eradicate the other, but to become aware that there is something valuable and—to use a Westworld watchword—real about each of us.

The way the games play out, as mentioned earlier, could not be more different. Dispatches from Elsewhere’s world is a bright, candy-colored playscape where bullets are made of foam and people throw toilet paper (our more precious commodity!) at one another in a fight. Though trailers for the series made its puzzle aspect look completely exhausting, it’s anything but. There is something perhaps sinister at work here, some strange twist of technology that lets us communicate with our past selves or that knows what we’re going to do before we do it, but far more interesting (and poignant) are the strides our four heroes are making in moving outside their comfort zones in order to connect with something true—both within themselves and with each other.

Westworld is often exhausting, and its puzzle aspects are made to be played with outside of the show to uncover deeper secrets. It lends itself to theories and questions and frustrations. It’s not that that approach is any more or less valid than Dispatches, it’s just different. To make a distinction between two genres that naturally have a lot of crossover, Westworld is more sci-fi whereas Dispatches is fantasy.

And yet, both series reveal plenty about the reality of the human condition that is neither futuristic or far-fetched. It is our oldest quest, this search for meaning for both ourselves and our context within the universe. We struggle against our creator, or our perception of one, we turn on one another out of misguided self-preservation, we resort to our most base instincts when we are afraid. But Westworld and Dispatches remind us that while that there are consequences to those actions, there’s also a way to move forward. It doesn’t matter if things appear rigged, we fight.

It’s impossible to take in any kind of media right now and not process it through the lens of our current pandemic. As the wild, frightening spread of COVID-19 tests our internal panic buttons while we’re flooded with information (and misinformation) and told to distance ourselves from others, both series have something valuable to share. Mainly, that now is a good time to look inward and reconsider what we might need to change within ourselves. What does it mean to break out of our own loops of behavior? What would it cost us to choose that better path? What we might find at the end of these cosmic puzzles may remain a mystery, but finding humanity and authenticity here and now is something we can do—if we are brave enough.

Westworld airs Sunday nights on HBO; Dispatches from Elsewhere airs Monday nights on AMC.

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