Poison in the Well of the Truth: Netflix’s Wild Wild Country and the Disturbing Story of the Rajneesh Cult
Photo: Netflix
Some documentaries are more dedicated than others to telling a story from multiple and opposing viewpoints. Netflix’s new docuseries Wild Wild Country is curiously far into that spectrum, and I say curiously because the primary interviewees—some members of the cult, some residents and law enforcement agents in the Oregon county where the Rajneeshpuram commune was located—seem to have inhabited two separate realities: If you made a Venn diagram, there would be virtually no overlap. In fact, nearly four decades later, the devotees of guru Bhagawan Sri Rajneesh still appear to inhabit a separate reality. Even the ones who fled the cult. Even the ones who were indicted for everything from biological warfare and voter fraud to attempted murder.
In the early 1980s, a guru with an ashram in Poona, India relocated to an 80,000-acre ranch outside the minuscule town of Antelope, Oregon. They were in the news constantly for one crazy thing or another—I was in elementary school when they established the commune of Rajneeshpuram and even I can remember people talking (mostly with derision) about the “brainwashed” Rajneesh cultists. By the mid-’80s they had disbanded, after a series of legal scandals that ranged from the weird to the outright horrible. Wild Wild Country tells their story in lavish detail, and since they were such a media curiosity at the time there is an incredible wealth of archival footage with which to work.
This might be a completely personal prejudice, but I find that the docuseries format can be hard to justify when the “episodes” are not clearly defined standalone units, or at least discrete “chapters” in a linear narrative. Wild Wild Country, it has to be said, is as vast and rambling as the Oregon wilderness where it takes place, and as a binge-watch it’s freaking exhausting. The subject matter is interesting. There’s footage galore from the heyday of the cult. The way Rajneeshee and non-Rajneeshee folks describe the commune and what it stood for and what it did in such irreconcilable terms is fascinating. Nonetheless, I wondered more than once why this spooled into a series versus a two-hour feature; it felt that padded and diffuse.
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